Search results

It's meant to compliment the Circles-era branding that DCI had during the time; albeit in a somewhat simplified form since the focus is towards animated series. This branding became very inconsistent by 2002, as Toon Disney UK started using a different graphics package with the egg-shaped logo...

Some more DC Scandinavia commercials from early 2003, taken right after the afternoon Playhouse Disney block.

To be fair, I don't think there's much people clamoring for more live-action Disney Channel content (outside of DCOM's) these days, as the age of Hannah Montana wannabes seem to be long gone by now.

These are most likely from 2005, if the cross-promo of The Buzz on Maggie was any indication. This has got to be the weirdest implementation of break bumpers in a Bounce-era DCI network, as these played on for way longer compared to, say, the Circles-era ones.

DC Asia and Australia use this practice, too, throughout the Bounce era. One interesting quirk about those is that the full bumper music tracks are rarely (if not never) heard in the NEXT bumpers; only the tail end plays in each bumper. DC Japan is another story, as they would alternate between...

I don't think so. European countries don't even have anything similar to Canadian content laws for pay-TV channels, so this is most likely not the reason why DC Europe had random imports around that time.

Canadian content laws are a thing, so that should answer the question well.

Oh, no. The Corus-owned Canadian Disney Channels still have this practice, even on the company's other kids' channels such as YTV. My guess is because they wanted to promote some of the older Canadian-produced shows in the schedule, but decided to do so in tiny blurbs for promos of recent...

Early preschool block continuity from Disney Channel UK circa late 1997, hosted by Dave Benson-Philips.

It's not merely a problem of demand for the American shows but rather this weird cultural difference thing. DC India tends to be more about local animation and Japanese anime imports, and they're usually dead last to premiere any of DC USA's (animated) shows due to those not being as well-known...

I still don't get why DC France opted for AdLib as its primary font during this era when the rest of the DCI networks had FF Advert. And yes, the goofiness extends to how they inserted the website URL into the idents later on, using... Arial Regular.

It's quite amusing, honestly, since in the default Bounce graphics, there were only three standard idents included, and that's even before you start to count the first batch of Magic ID's that PMcD produced for DC USA (although to be fair, said ID's did show up in, say, Scandinavia and LATAM)...

Let's just say that Disney Channel International during that time had a good mix of shows from DC USA as well as regional imported shows either from third-party distributors or commissioned specifically for the international networks. On top of that, there's the live presentation (or in-vision...

I believe they started that practice probably midway into the Ribbon era. See, DC France had regular idents play before programmes during both the Red & Blue and Circles eras, as its playout is most likely different from other French channels of the time but similar to other DCI networks.

A look into Disney Channel UK's old Saturday morning block, which made good use of the Toy Story Treats originally created for ABC in the US.

No? When DC ME launched the Arabic-audio feed, it was indeed separate from the English feed due to the former being on a different channel slot in Orbit's line-up. This practice remained well into the Circles era (seen here). Of course, once DC ME moved its broadcast operations from SEA to...