*Peggy Charren - Peggy Charren spearheaded a major movement (via her watchdog group Action for Children's Television or ACT) to censor cartoons during the 1970s and 1980s. In essence, she was pretty much telling and bullying networks that animated shows couldn't show violence and "anti-social behavior". In the end this left with really no other option for viewers to only watch "pro-social" cartoons that fits into her parameters. In return, Peggy Charren's biggest legacy was probably that of the Children's Television Act of 1990. The Children's Television Act of 1990 was further strengthened in about 1996 via the three hours of education mandate on broadcast networks. Ironically, it really is the only reason Saturday morning cartoons still exist among over-the-air broadcasters, since all the profitable cartoons and kids shows have long since moved to cable (i.e. Cartoon Network, NickToons, Toon Disney, etc.).
*Alfred Kahn - Alfred Kahn is the CEO of 4Kids Entertainment. Kahn has basically been criticized by traditional anime fans, who believe that his "Americanization" and censorship of anime licensed by 4Kids tarnishes their original format.
*Fred Calvert - Fred Calvert is the man who was chosen to finish "The Thief and the Cobbler" (or "Arabian Knight" as it was theatrically released as in the United States in 1995) after Richard Williams was fired from his 20+ year pet project.
*Jamie Kellner - Wrestling fans hate Jamie Kellner because he ordered the cancellation of WCW programming on TBS/TNT. Eric Bischoff and his group of investors were on the verge of purchasing WCW from Time Warner. But when Kellner had the shows cancelled, this gave Vince McMahon the opportunity to purchase his competition and have a virtual monopoly on the North American pro wrestling market. Anyway, Jamie Kelner was also the WB executive who made sweeping changes, which led to the cancellation/retinkering of certain beloved Silver Age WB shows (i.e. "Animaniacs", "Freakazoid!", "Road Rovers", "Histeria!", "The Legend of Calamity Jane", and "Pinky and the Brain"). Kellner has been maligned for allegedly ignoring such shows' popularity among older demographics, among whom the programs often got higher ratings than in the 2-11 demographic (a la "Pokemon") at which Kids' WB! was primarily aimed.
*Bob Camp - Bob Camp is the guy who took over from John K./Spumco on the production of "Ren and Stimpy" when Nickelodeon fired John K. When Camp and his Games Animation production company took over, I think that fans felt that the show became too reliant on cheap gross out jokes. Ironically, when Spumco revived "Ren and Stimpy" on the "Adult Party Cartoon" on SpikeTV, those episodes were even more hated by the fans than the Games produced episodes.
*Michael Eisner - Eisner gained a reputation during his time as the CEO of the Disney Company for allegedly micromanaging the Disney animators out of their jobs, literally forcing Pixar away, killing a lot of the "Disney Afternoon" style shows by only letting them run a maximum of 65 episodes, and churring out straight-to-DVD/video "cheap-quels" to films such as "The Little Mermaid", "The Lion King", "Aladdin", "Cinderella", "Peter Pan", etc.
*Glen Kennedy - Kennedy's animation studio worked on "Tiny Toon Adventures", "A Pup Named Scooby Doo", and many "Disney Afternoon" shows. Animation fans have criticized Kennedy for his apparent knack of sloppiness (e.g. often lumpy, bouncy, and stretchy movements) on the shows he and his company worked on when compared to StarToons (who also worked on "Tiny Toons").
*Mike Scully - Mike Scully was the show runner for "The Simpsons" from 1997-2001. During the time he was the show runner or exectutive producer, there was an seemingly increased usage of celebrity guest voices, more reliance on slapstick and lowbrow humor, and the characters became more one-dimensional. In addition, many episodes during this period centered around Homer, who was seemingly portrayed as being very mean-spirited.
*Carl Macek - Macek was the producer and story editor of "Robotech" (which was originally made up of three unrelated anime). Fans of anime have criticized Macek (who has been dubbed "The Antichrist" on usernet forums) for changing the dialogue in order to remove what he called "ethnic gestures". Also, Macek has been heavily criticized for the major, and some fans argue, pointless changes to the dubbing of "Aura Battler Dunbine".
*Leon Schlesinger - Schlesinger's independent animation studio would eventually become Warner Bros. Cartoons. Schlesigner had a reputation for being a very hard-nosed business man. His animators worked in a dilapidated studio, and he briefly shut down the studio in 1941 and 1942 when unionized employees demanded a pay raise. Also, animators who worked with him also found him conceited and somewhat foppish, wearing too much cologne and dressing like a dandy.
*Fred Quimby - Quimby was the producer in charge of the old Metro-Goldwyn-Mayer cartoon studio. Quimby was very unliked by those who worked with him. He apparently had no sense of humor to call upon (ironic considering that his studio produced the "Tom and Jerry" cartoons). He also apparently knew nothing about animation, as cartoons were a strange thing to him. Quimby was also known to turn down requests for bigger budgets, raises and special dispensations of funds.
*Paul Terry - Paul Terry was the founder of the Terrytoons animation studio, who produced the "Mighty Mouse" and "Heckle and Jeckle" cartoons among others. Through much of its history, the studio was considered one of the lowest quality houses in the field. Terry was extremely conservative at producing cartoons. So to that end, Terrytoons had the lowest budgets and it was among the slowest to adapt to new technologies such as sound (in about 1930) and Technicolor (in 1942), while its graphic style remained remarkably static for decades. Terrytoons' rather inflexable release schedule allowed them to provide a new cartoon every other week, regardless of the cost to the quality of the films.
*Don Bluth
*Clarence Muse - Arguably a race-paranoid black Disney animator, who after being discharged by Disney, took out his disgruntled-employee frustrations by running to the NAACP and claiming that a certain 1940s Disney animated features at the time were "racist".
*John K.
*William Hanna and Joseph Barbera - Hanna-Barbera were pioneers of limited TV animation pioneers. In other words, they were repeating backgrounds, where only the lips, arms, and legs of the characters move. They also seemed to produce little more but copies of "Scooby Doo" in the 1970s.
*Lou Scheimer - While running Filmation Studios, Scheimer seemed to have a knack for adapting good established ideas with constantlly re-used animation movements and character designs.
*Mark Fowler - Serving as FCC chairman in the 1980s, he allowed weekday toy-based TV cartoon shows to premiere (the last being the 1970s "Hot Wheels" show) beginning with "He-Man".
*Andy Heyward - While overseeing DiC, Heyward helped produced a lot of 1980s-era TV shows that arguably, featured lots of overacting Canadian voice talent and cheap Japanese animation.
*Frederik Du Chau - Du Chau directed the live-action movie version of "Underdog" and "Quest for Camelot".
*Jeffrey Katzenberg
*Walt Disney (when he was still living)
*Eddie Selzer - Selzer replaced Leon Schlesinger when Leon retired, Selzer by most accounts, didn't have much of a sense of humor, vision, or imagination. And had he had his way, we likely wouldn't have characters like Taz or Pepe le Pew (he simply thought that they weren't funny), and we wouldn't have the Bugs Bunny classic, Bully for Bugs (the one where Bugs forgets to take the left turn at Albuquerque and ends up in the middle of a bull fight).
*Ralph Bakshi - Bakshi as been accused of abusing rotoscoping and criticized for leaving his adaption of "Lord of the Rings" without a proper ending.
*Alfred Kahn - Alfred Kahn is the CEO of 4Kids Entertainment. Kahn has basically been criticized by traditional anime fans, who believe that his "Americanization" and censorship of anime licensed by 4Kids tarnishes their original format.
*Fred Calvert - Fred Calvert is the man who was chosen to finish "The Thief and the Cobbler" (or "Arabian Knight" as it was theatrically released as in the United States in 1995) after Richard Williams was fired from his 20+ year pet project.
*Jamie Kellner - Wrestling fans hate Jamie Kellner because he ordered the cancellation of WCW programming on TBS/TNT. Eric Bischoff and his group of investors were on the verge of purchasing WCW from Time Warner. But when Kellner had the shows cancelled, this gave Vince McMahon the opportunity to purchase his competition and have a virtual monopoly on the North American pro wrestling market. Anyway, Jamie Kelner was also the WB executive who made sweeping changes, which led to the cancellation/retinkering of certain beloved Silver Age WB shows (i.e. "Animaniacs", "Freakazoid!", "Road Rovers", "Histeria!", "The Legend of Calamity Jane", and "Pinky and the Brain"). Kellner has been maligned for allegedly ignoring such shows' popularity among older demographics, among whom the programs often got higher ratings than in the 2-11 demographic (a la "Pokemon") at which Kids' WB! was primarily aimed.
*Bob Camp - Bob Camp is the guy who took over from John K./Spumco on the production of "Ren and Stimpy" when Nickelodeon fired John K. When Camp and his Games Animation production company took over, I think that fans felt that the show became too reliant on cheap gross out jokes. Ironically, when Spumco revived "Ren and Stimpy" on the "Adult Party Cartoon" on SpikeTV, those episodes were even more hated by the fans than the Games produced episodes.
*Michael Eisner - Eisner gained a reputation during his time as the CEO of the Disney Company for allegedly micromanaging the Disney animators out of their jobs, literally forcing Pixar away, killing a lot of the "Disney Afternoon" style shows by only letting them run a maximum of 65 episodes, and churring out straight-to-DVD/video "cheap-quels" to films such as "The Little Mermaid", "The Lion King", "Aladdin", "Cinderella", "Peter Pan", etc.
*Glen Kennedy - Kennedy's animation studio worked on "Tiny Toon Adventures", "A Pup Named Scooby Doo", and many "Disney Afternoon" shows. Animation fans have criticized Kennedy for his apparent knack of sloppiness (e.g. often lumpy, bouncy, and stretchy movements) on the shows he and his company worked on when compared to StarToons (who also worked on "Tiny Toons").
*Mike Scully - Mike Scully was the show runner for "The Simpsons" from 1997-2001. During the time he was the show runner or exectutive producer, there was an seemingly increased usage of celebrity guest voices, more reliance on slapstick and lowbrow humor, and the characters became more one-dimensional. In addition, many episodes during this period centered around Homer, who was seemingly portrayed as being very mean-spirited.
*Carl Macek - Macek was the producer and story editor of "Robotech" (which was originally made up of three unrelated anime). Fans of anime have criticized Macek (who has been dubbed "The Antichrist" on usernet forums) for changing the dialogue in order to remove what he called "ethnic gestures". Also, Macek has been heavily criticized for the major, and some fans argue, pointless changes to the dubbing of "Aura Battler Dunbine".
*Leon Schlesinger - Schlesinger's independent animation studio would eventually become Warner Bros. Cartoons. Schlesigner had a reputation for being a very hard-nosed business man. His animators worked in a dilapidated studio, and he briefly shut down the studio in 1941 and 1942 when unionized employees demanded a pay raise. Also, animators who worked with him also found him conceited and somewhat foppish, wearing too much cologne and dressing like a dandy.
*Fred Quimby - Quimby was the producer in charge of the old Metro-Goldwyn-Mayer cartoon studio. Quimby was very unliked by those who worked with him. He apparently had no sense of humor to call upon (ironic considering that his studio produced the "Tom and Jerry" cartoons). He also apparently knew nothing about animation, as cartoons were a strange thing to him. Quimby was also known to turn down requests for bigger budgets, raises and special dispensations of funds.
*Paul Terry - Paul Terry was the founder of the Terrytoons animation studio, who produced the "Mighty Mouse" and "Heckle and Jeckle" cartoons among others. Through much of its history, the studio was considered one of the lowest quality houses in the field. Terry was extremely conservative at producing cartoons. So to that end, Terrytoons had the lowest budgets and it was among the slowest to adapt to new technologies such as sound (in about 1930) and Technicolor (in 1942), while its graphic style remained remarkably static for decades. Terrytoons' rather inflexable release schedule allowed them to provide a new cartoon every other week, regardless of the cost to the quality of the films.
*Don Bluth
*Clarence Muse - Arguably a race-paranoid black Disney animator, who after being discharged by Disney, took out his disgruntled-employee frustrations by running to the NAACP and claiming that a certain 1940s Disney animated features at the time were "racist".
*John K.
*William Hanna and Joseph Barbera - Hanna-Barbera were pioneers of limited TV animation pioneers. In other words, they were repeating backgrounds, where only the lips, arms, and legs of the characters move. They also seemed to produce little more but copies of "Scooby Doo" in the 1970s.
*Lou Scheimer - While running Filmation Studios, Scheimer seemed to have a knack for adapting good established ideas with constantlly re-used animation movements and character designs.
*Mark Fowler - Serving as FCC chairman in the 1980s, he allowed weekday toy-based TV cartoon shows to premiere (the last being the 1970s "Hot Wheels" show) beginning with "He-Man".
*Andy Heyward - While overseeing DiC, Heyward helped produced a lot of 1980s-era TV shows that arguably, featured lots of overacting Canadian voice talent and cheap Japanese animation.
*Frederik Du Chau - Du Chau directed the live-action movie version of "Underdog" and "Quest for Camelot".
*Jeffrey Katzenberg
*Walt Disney (when he was still living)
*Eddie Selzer - Selzer replaced Leon Schlesinger when Leon retired, Selzer by most accounts, didn't have much of a sense of humor, vision, or imagination. And had he had his way, we likely wouldn't have characters like Taz or Pepe le Pew (he simply thought that they weren't funny), and we wouldn't have the Bugs Bunny classic, Bully for Bugs (the one where Bugs forgets to take the left turn at Albuquerque and ends up in the middle of a bull fight).
*Ralph Bakshi - Bakshi as been accused of abusing rotoscoping and criticized for leaving his adaption of "Lord of the Rings" without a proper ending.
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