With the release of Zack Synder's Justice League and Superman: The Animated Series coming to HBO Max today, I thought now would be a perfect time to look over Darkseid's previous appearances in animation. Images, as always, appear courtesy of The World's Finest. Enjoy!
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Darkseid: You're a magnificent opponent Superman... but even you must realise its hopeless.
Superman: Darkseid.
Darkseid: I could easily destroy you now... and once you're gone, the pathetic beings of this planet won't have the will to resist me... the few who survive, that is.
However, if you join me as my loyal vassal, I could guarantee a modicum of... restraint. Think of it Superman... the power you have now, its nothing compared with what I'm offering you.
Superman: You know I can't do that.
Darkseid: Pity. Still, if you won't be my knight, you will be my pawn.
_____
Making his debut in Superman’s Pal: Jimmy Olson (no really, Jack ‘King’ Kirby used to write/draw Olson’s own ongoing comic), Darkseid has gone onto become the true big bad of the DC Universe since his debut in the 70s. I would argue Darkseid has become Kirby’s legacy from DC following his departure from Marvel and his co-creating Captain America, The Fantastic Four, The Silver Surfer, The Incredible Hulk, Iron Man and a whole host of multi-billion dollar properties for which he was never fairly compensated. It’s a shame he never got to see his Marvel creations make it to the big screen, as I imagined he would’ve loved to see the MCU and how many of his creations have become pop culture icons, but alas, Kirby passed in 1994, long before Marvel made any big screen headway.
Darkseid was the main villain of Kirby's New Gods comic book series, but Darkseid has surpassed The New Gods in terms of popularity and relevance to the DC Universe. Having never read a single issue of New Gods/Mister Miracle/The Forever People and knowing little about them beyond their animated appearances, I couldn’t tell you much of Darkseid’s actual origins, or how he came to power. A New Gods movie is apparently in development, but whether or not we’ll see it in our lifetime is anyone’s guess. Since nothing has been announced other than Ava Devernuy's role as writer/director years ago, with no cast or release date in place, I imagine this is just yet another DC property that will sit in limbo, to add to the embarrassing list of characters Warner Bros. DC movies that will simply never get beyond a script.
Darkseid’s status as the big bad goes back decades, from his original animated appearances in the various Superfriends cartoons which I have never seen, beyond the odd clip. Frank Welker has an awesome scary Darkseid voice in the show, but I couldn’t tell you of the shows quality, so will not be covering it here. Darkseid has appeared in various video games and will today make his live action movie debut in Zack Synder’s Justice League, after being cut from the theatrical release (more on that later.) His motivation throughout the decades is to discover the secret of the Anti-Life equation... I’m not sure Kirby or anyone else has bothered to really explain what this is, but Darkseid’s all consuming path is to use it to recreate the world in his own image, under his complete rule.
Finally, this brings us to his more recent animated appearances covered on this forum, starting with the superlative Superman: The Animated Series, which is now available on HBO Max in HD for those of you who have access to it. It's very much a good use of your time.
Superman debuted on Kids WB! on September 6th 1996, following the end of The Adventures of Batman and Robin on Fox Kids. With some of the crew moving from Batman to Freakazoid, Superman was greenlit to tie in the then in development live action Superman 5/Superman Lives movie that Warner Bros, of course, never actually filmed. The show aired on the newly formed Kids WB! network. Managing to maintain a lot of the same crew behind Batman’s success, producer Bruce Timm originally envisioned the show as something akin to Superman and His Amazing Friends with Superman teaming up with various other DC superheroes/Justice League members (look for some very cool pre production models of the proposed team in Timm's Modern Masters book, which is also worth a ourchase) before executive producer Jean MacCurdy asked Timm to do what he did with Superman what he did with Batman and create a traditional, straight up Superman show.
Timm apparently considered doing a straight up 40s Superman show, before eventually settling on a new ‘Bruce Timm’ style, with more angular designs than his previous Batman show that in theory, would animate better. In the first season of Superman it’s hard to argue, every episode looks gorgeous and the animation rarely falters. It’s not quite as nice to look at as the original Batman: The Animated Series, as there is no beautiful dark deco here, but of course, this would not be at all appropriate for the bright and futuristic Metropolis and the simplicity of the designs so not flourish as much as they did in the better looking episodes of Batman but all in all, Superman is easily one of the better looking shows once the era. Kirby is clearly an influence here, as Timm told TwoMorrows
“We knew exactly what we wanted to do with Batman-you know, the Film Noir/Art Deco kind of look on it. When the time came to do Superman, we really didn't know what to do that would make it visually different from Batman but at the same time just as cool. We didn't wanna go back and make it look just like the Fleischer cartoons; I didn't want anybody to put our show up against Fleischer's and say, "Well look, they're doing the Fleischers, just not as well." One of the things we wanted to do with Superman was to kind of "Marvelize" Superman a little bit. That's why the police don't just carry handguns, but these Kirby-like weapons. All of the science-fictional elements in this series-whether it's a tank or something from outer space-has a kind of Kirby feel to it, or at least we try to.”
Batman stalwarts Alan Burnett and Paul Dini also returned from Batman and served as producers once again, and unlike Batman, the writers found their footing straight away. There were no disagreements with the Story Editors who wanted a recycling bin in the Batcave here, the first season of Superman is chock full of top quality episodes from start to finish. Episodes 1-13 are all outstanding in their own way, script, animation, performances, Superman hit the ground running from the word go. The show started with Superman’s origin with a three part story with each episode taking place in Superman’s traditional three acts, on Krypton, Smallville and Metropolis. It took some balls to have the first full episode take place on Krypton and focus on Jor El’s final hours... I can’t imagine that was an easy pitch, especially when the main character, Jor El, meets his demise at its conclusion. There was no Marlon Brando style influence here either as the show doesn’t really play too much from the Christopher Reeve movies... full credit to Kids WB! for allowing such a ballsy episode to air. By the 2000s this certainly wouldn’t happen on Kids WB!... they’d probably try to make him a teenager and Jor-El would be his high school guidance councillor or something equally baffling.
The show did a more than stellar job of transforming Superman’s somewhat tepid rouges gallery from middle aged men in suits to visually appealing supervillains with interesting physiological motivations. With Lex Luthor playing the recurring big bad in his skinny Kingpin role, along with introductions to the likes of Metallo, Toyman and The Parasite, the show was going a grand job of creating worthy adversaries for The Man of Steel and a wonderful version of Lois Lane, voiced by the always awesome Dana Delaney. Lane features here tremendously well in a supporting role but this is far more of a Superman show than a Clark show. I assume a straight up Lois and Clark romance was forbidden due to Kids WB! having no time for romance, so the traditional love triangle isn’t here, and Clark is not the bumbling pre-Crisis version of the character I enjoy, nor does he take any cues from Christopher Reeve’s unforgettable performances... I might be alone in thinking this, but this version of Clark, while perfectly likeable is sort of just... there. He doesn’t seem to appear too often in the episodes, but they compensated for this by having an awesome version of Superman. I will be forever biased towards Reeve’s Superman, but nevertheless, this show did a excellent job with Superman himself and his villains... And no villain was better than Darkseid.
The Lord of Apokolips would make his debut in the final scene of the season one finale, Tools Of The Trade, revealed as the mastermind behind the scenes who is supplying Bruno Mannheim with the futuristic weaponry to equip Intergang. His debut is only a brief cameo at the end of the episode in which he introduces himself to Mannheim as his new lord and master. I imagine this was utterly thrilling for fans of the character, whereas it was expertly done for none fans who instantly learned that Darkseid was not one to be trifled with.
This is the first we see of Apokolips, which looks of course to be heavy influenced by Kirby’s visuals, as a planet clearly taking its cues from Hell itself. As said above, Timm is clearly a fan of Kirby and his influence is all over Superman: The Animated Series especially, without attempting to ape it. The Silver Surfer cartoon would later attempt that and fail badly, visually. Influence over adaptation any day of the week, for me. No animator will be able to draw as well as Jack Kirby, and it was foolish for them to even try, in my opinion.
The character model has a presence here. He is naturally huge, as most of the characters in this show were. It breaks the traditional mould found in Superman and he was clearly meant to be a scary looking character. I especially like his stoic posing, as he rarely moves from his chair, with his arms folded behind his back. One fears for his company whenever they are in the presence of Darkseid... visually, Darkseid was a 100% triumph.
Darkseid would return in Father’s Day in which we see that Superman has a massive part to play in his master plan, but Kalibak, attempts to win his Father’s approval by travelling to Earth to kill Superman. After a second and most of the third act Smackdown, Darkseid travels to Earth to retrieve his son and introduces himself to Superman by blasting him with his Omega Laser. One could tell these appearances were simply teasing us to build to something bigger, even for those uneducated as to who exactly Darkseid was. One must remember this was long before Wikipedia or even before most of Kirby’s work was collected in trade paperback form... newer fans of Superman undoubtedly were introduced to Darkseid and the other supporting characters via this television show. I personally has this a bit backwards, I saw most of the Justice League show long before Superman, due to Superman never airing past season one here in the UK.
This show seemed to be building towards something bigger, despite being a fairly standalone villain of the week show from its inception. This carried in with Apokolips...Now! which sees Bruno Mannheim once again return to Earth with Apokolpitic weaponry before Orion travels from New Genesis to warn Superman that Darkseid is coming. Now on Earth, we learn of Darkseid’s backstory and how he physiologically feeds on the despair and misery of others and how he longs for the Anti-Life Equation, following his planet essentially splitting in two, Apokolips, which Darkseid rules, and New Genesis, the peaceful world of The New Gods ruled by Highfather. The two have waged war for decades, with a truce being reached by exchanging their infant sons. The show does not shy away from the planets being metaphors for Heaven and Hell, and the widescreen approach to the flashbacks from Orions’ Motherbox is expertly done. The Motherbox is essentially an all powerful iPhone capable of teleportation, if he they were both alive at present time I think Steve Jobs would owe Mr Kirby a few quid, personally.
The opening of the episode is a fight scene from obviously Kirby inspired space ships and tanks which almost made me wish the show was made 10 years earlier, as we would’ve no doubt got incredibly cool action figures vehicle playsets of these beasts, rather than the pitiful toyline Kenner made for Superman. Given their influence over the shows, it’s frustrating as hell to see what a lazy, cheap effort they made for The New Batman/Superman Adventures and Batman Beyond... these toylines should’ve been so much cooler.
Apokolips...Now! is arguably the peak of Superman: The Animated Series and has shocking moments in both parts, Superman is beaten and bloodied in each episode, which may seem tame compared to the recent DC Direct to Video features, but back in the day, blood in a superhero cartoon was a strict no no. Even more shocking is the death of Bruno Mannheim in a nuclear explosion, in Part One after Darkseid enlists him to turn the reactor’s core off.
Bruno: You promised you’d make me a King!
Darkseid: And so you are; a King of fools.
It gets more shocking in Part Two as General Steppenwolf and the Parademons attack Metropolis as Darkseid himself returns to Earth and easily beats Superman before showcasing his defeat in front of the people of Metropolis to earn their fear as he feeds upon them.
His plan backfires when Dan Turpins tells him where to shove his offer to be merciful towards Earth should they surrender, which immediately makes his plan to feed of their despair to see their hero beaten and broken moot, before New Genesis’ army turns up and declares that Earth is under their protection, and taking over the planet would be a violation of their agreement. The bully then uses the old excuse of I don’t really care when he’s about to lose, before he delivers one final FU to Superman by murdering Dan Turpin with his Omega Beams.
Murdering. On a Saturday morning cartoon. On screen - no shadow trucks, no camera cut aways, no audience recreations, a straight up disintegration before the viewers eyes.
This just didn’t happen in those days. No one saw that coming! It was a major shocking moment that wasn’t glossed over, as we also see a Funeral for Turpin (the original airing actually had cameos from Marvel characters Kirby created, but they were removed for future airings/DVDs) and, furthermore he wasn’t brought back to life: this death stuck. A Jewish funeral was also shown in homage to Kirby, which was also a no no at the time, many networks decided Religion simply had no place in animation, full stop.
It adds further prose to it when one learns that Turpin’s character mode is actually based on Jack Kirby himself, who passed away a few years before the show began. Part Two was arguably the most memorable episode the show did, which is an achievement in itself, as this is the episode in which Superman loses and loses badly. This one punched one right in the feels... especially when Darkseid really rubs it in
Darkseid: “Savour your moment of triumph Superman... but remember, victory has its price.”
The music in this episode is also incredibly well done, even to the lofty standards of the DC animated shows. I rarely give the musicians the credit the deserve in these pieces, but Apokolips...Now Part 2 is probably my favourite Superman score.
Now would be a good time to mention the incomparable Michael Ironside who voices Darkseid throughout the DCU. He is magnificent, a true treasure in the sea of exceptional casting that was Andrea Beaumont’s DCU shows. From the opening episode of Batman: The Animated Series right through to the finale of Justice League Unlimited, there wasn’t a miscast voice or half arsed performance to be found. Mrs Beaumont is richly deserving of her universal praise and more. Ironside added a massive gravitas to his performances and helps give Darkseid a presence in each of his appearances... a true, well spoken, bad ass villian, easily one of the very best in the DCU. He is still my favourite Darkseid voice all these years later. Superman himself, Tim Daly also gives one of his performances as The Man of Steel here - from script to storyboard to performance, everyone was on their A game here.
It was clear from the “Not the End!” in the credits before it’s dedication to the late great Jack ‘King’ Kirby that this was... well, not the end, and an inevitable rematch with Darkseid was on the cards.
I didn’t expect to see it in the following story, Little Girl Lost, which introduces Supergirl, a character I admit to not being terribly fond of, however watching the episode on DVD (I’d say I’m showing my age, but the long awaited Blu Ray for this show hasn’t been announced yet, pull your finger out Warner Home Video!) but I did enjoy watching this story again this afternoon, having not seen it in years. I seem to recall thinking it was far too early for another Darkseid appearance when I originally watched it, but I did enjoy his pettiness of if he cannot rule over Earth, he will destroy it, and his plan shows, a meteor crashing into Earth, shows no evidence of interference on his behalf and therefore does not break his agreement with New Genesis. Darkseid is playing chess while the rest of us are playing Checkers here. It also highlighted many of the supporting characters from Apokolips including the Female Furies and Granny Goodness, wonderfully voiced by the forever fantastic Ed Asner. Having Asner essentially portray her as a man in drag is an utterly genius idea, and Asner nails it. It is odd to hear my childhood J Jonah Jameson voicing a woman, but I’ll tell you now, it works terrifically.
Darkseid would return in the shows finale, Legacy. Timm and Dini would mention on the DVD commentary that the original plan was for Darkseid to manipulate Superman into attach the Earth was the season opener and have Superman work to regain the Earth’s trust over the course of the season but this was scrapped to end the show with instead. It’s another shocking 2 part story which starts with a shocking twist of Superman attacking the Earth, but how/why he is doing so is not explained until Part Two. With Superman now evil, Luthor and General Eiling now have the excuse they were looking for to finally kill him on their terms without looking like the villains they truly are.
As an aside? Clancy Brown is never less than tremendous and his Lex Luthor is no exception to this. He has the perfect blend of intelligence, smugness and anger when required whether playing suave businessman, mad scientist or clear crackpot throughout the DCU. Interestingly he initially auditioned for Superman himself, and cracked a joke about always being cast as a villain when Timm asked him to audition for Luthor. Another solid A+ casting effort here.
Part One essentially shows Darkseid manipulating Superman as he attacks a random planet, and how Granny hypnotised Superman into thinking it was Darkseid who took Kal El in when Krypton exploded and his ship crash landed on Apokolips rather than Earth and Darkseid raised him as his own and shared his vision of a balanced and disciplined universe before finally allowing Kal to ruin his own planet, Earth. The episode also features some clever flashbacks to The Last Son of Krypton.
Part two gets things moving after Superman comes to and travels to Apokolips to essentially finish Darkseid and his Apokolips goons off once and for all. There is a fantastic vindication scene in which an powerless Superman smacks Luthor in the face and breaks his jaw before we get to the final fight with Darkseid. It’s vicious, nasty and worthy of the build up it received, and once again delivers a shocking ending as despite losing the fight, Darkseid, magnificent bastard that he is, wins the war after finally defeating Darkseid and telling the people of Apokolips they are free now, they rush to the aid of their master, as he had clearly wiped out any hope they have of not living under his rule.
Excellent action aside, it’s also filled with some incredible quotes from Darkseid, the best of which is actually after he is defeated
“I am many things Kal El, but here, I am God.”
Even with the show now ending (thank you Jamie Kellnar), it was clear this feud wasn’t over. Another season of Superman earning the public’s trust again could’ve been extraordinary, but alas it was not to be.
A Darkseid rematch was on the cards, however...
Next: Loser.
-----
Darkseid: You're a magnificent opponent Superman... but even you must realise its hopeless.
Superman: Darkseid.
Darkseid: I could easily destroy you now... and once you're gone, the pathetic beings of this planet won't have the will to resist me... the few who survive, that is.
However, if you join me as my loyal vassal, I could guarantee a modicum of... restraint. Think of it Superman... the power you have now, its nothing compared with what I'm offering you.
Superman: You know I can't do that.
Darkseid: Pity. Still, if you won't be my knight, you will be my pawn.
_____
Making his debut in Superman’s Pal: Jimmy Olson (no really, Jack ‘King’ Kirby used to write/draw Olson’s own ongoing comic), Darkseid has gone onto become the true big bad of the DC Universe since his debut in the 70s. I would argue Darkseid has become Kirby’s legacy from DC following his departure from Marvel and his co-creating Captain America, The Fantastic Four, The Silver Surfer, The Incredible Hulk, Iron Man and a whole host of multi-billion dollar properties for which he was never fairly compensated. It’s a shame he never got to see his Marvel creations make it to the big screen, as I imagined he would’ve loved to see the MCU and how many of his creations have become pop culture icons, but alas, Kirby passed in 1994, long before Marvel made any big screen headway.
Darkseid was the main villain of Kirby's New Gods comic book series, but Darkseid has surpassed The New Gods in terms of popularity and relevance to the DC Universe. Having never read a single issue of New Gods/Mister Miracle/The Forever People and knowing little about them beyond their animated appearances, I couldn’t tell you much of Darkseid’s actual origins, or how he came to power. A New Gods movie is apparently in development, but whether or not we’ll see it in our lifetime is anyone’s guess. Since nothing has been announced other than Ava Devernuy's role as writer/director years ago, with no cast or release date in place, I imagine this is just yet another DC property that will sit in limbo, to add to the embarrassing list of characters Warner Bros. DC movies that will simply never get beyond a script.
Darkseid’s status as the big bad goes back decades, from his original animated appearances in the various Superfriends cartoons which I have never seen, beyond the odd clip. Frank Welker has an awesome scary Darkseid voice in the show, but I couldn’t tell you of the shows quality, so will not be covering it here. Darkseid has appeared in various video games and will today make his live action movie debut in Zack Synder’s Justice League, after being cut from the theatrical release (more on that later.) His motivation throughout the decades is to discover the secret of the Anti-Life equation... I’m not sure Kirby or anyone else has bothered to really explain what this is, but Darkseid’s all consuming path is to use it to recreate the world in his own image, under his complete rule.
![18.jpg](https://dcanimated.com/WF/superman/reviews/funandgames/18.jpg)
Finally, this brings us to his more recent animated appearances covered on this forum, starting with the superlative Superman: The Animated Series, which is now available on HBO Max in HD for those of you who have access to it. It's very much a good use of your time.
Superman debuted on Kids WB! on September 6th 1996, following the end of The Adventures of Batman and Robin on Fox Kids. With some of the crew moving from Batman to Freakazoid, Superman was greenlit to tie in the then in development live action Superman 5/Superman Lives movie that Warner Bros, of course, never actually filmed. The show aired on the newly formed Kids WB! network. Managing to maintain a lot of the same crew behind Batman’s success, producer Bruce Timm originally envisioned the show as something akin to Superman and His Amazing Friends with Superman teaming up with various other DC superheroes/Justice League members (look for some very cool pre production models of the proposed team in Timm's Modern Masters book, which is also worth a ourchase) before executive producer Jean MacCurdy asked Timm to do what he did with Superman what he did with Batman and create a traditional, straight up Superman show.
Timm apparently considered doing a straight up 40s Superman show, before eventually settling on a new ‘Bruce Timm’ style, with more angular designs than his previous Batman show that in theory, would animate better. In the first season of Superman it’s hard to argue, every episode looks gorgeous and the animation rarely falters. It’s not quite as nice to look at as the original Batman: The Animated Series, as there is no beautiful dark deco here, but of course, this would not be at all appropriate for the bright and futuristic Metropolis and the simplicity of the designs so not flourish as much as they did in the better looking episodes of Batman but all in all, Superman is easily one of the better looking shows once the era. Kirby is clearly an influence here, as Timm told TwoMorrows
“We knew exactly what we wanted to do with Batman-you know, the Film Noir/Art Deco kind of look on it. When the time came to do Superman, we really didn't know what to do that would make it visually different from Batman but at the same time just as cool. We didn't wanna go back and make it look just like the Fleischer cartoons; I didn't want anybody to put our show up against Fleischer's and say, "Well look, they're doing the Fleischers, just not as well." One of the things we wanted to do with Superman was to kind of "Marvelize" Superman a little bit. That's why the police don't just carry handguns, but these Kirby-like weapons. All of the science-fictional elements in this series-whether it's a tank or something from outer space-has a kind of Kirby feel to it, or at least we try to.”
Batman stalwarts Alan Burnett and Paul Dini also returned from Batman and served as producers once again, and unlike Batman, the writers found their footing straight away. There were no disagreements with the Story Editors who wanted a recycling bin in the Batcave here, the first season of Superman is chock full of top quality episodes from start to finish. Episodes 1-13 are all outstanding in their own way, script, animation, performances, Superman hit the ground running from the word go. The show started with Superman’s origin with a three part story with each episode taking place in Superman’s traditional three acts, on Krypton, Smallville and Metropolis. It took some balls to have the first full episode take place on Krypton and focus on Jor El’s final hours... I can’t imagine that was an easy pitch, especially when the main character, Jor El, meets his demise at its conclusion. There was no Marlon Brando style influence here either as the show doesn’t really play too much from the Christopher Reeve movies... full credit to Kids WB! for allowing such a ballsy episode to air. By the 2000s this certainly wouldn’t happen on Kids WB!... they’d probably try to make him a teenager and Jor-El would be his high school guidance councillor or something equally baffling.
The show did a more than stellar job of transforming Superman’s somewhat tepid rouges gallery from middle aged men in suits to visually appealing supervillains with interesting physiological motivations. With Lex Luthor playing the recurring big bad in his skinny Kingpin role, along with introductions to the likes of Metallo, Toyman and The Parasite, the show was going a grand job of creating worthy adversaries for The Man of Steel and a wonderful version of Lois Lane, voiced by the always awesome Dana Delaney. Lane features here tremendously well in a supporting role but this is far more of a Superman show than a Clark show. I assume a straight up Lois and Clark romance was forbidden due to Kids WB! having no time for romance, so the traditional love triangle isn’t here, and Clark is not the bumbling pre-Crisis version of the character I enjoy, nor does he take any cues from Christopher Reeve’s unforgettable performances... I might be alone in thinking this, but this version of Clark, while perfectly likeable is sort of just... there. He doesn’t seem to appear too often in the episodes, but they compensated for this by having an awesome version of Superman. I will be forever biased towards Reeve’s Superman, but nevertheless, this show did a excellent job with Superman himself and his villains... And no villain was better than Darkseid.
The Lord of Apokolips would make his debut in the final scene of the season one finale, Tools Of The Trade, revealed as the mastermind behind the scenes who is supplying Bruno Mannheim with the futuristic weaponry to equip Intergang. His debut is only a brief cameo at the end of the episode in which he introduces himself to Mannheim as his new lord and master. I imagine this was utterly thrilling for fans of the character, whereas it was expertly done for none fans who instantly learned that Darkseid was not one to be trifled with.
![28.jpg](https://dcanimated.com/WF/superman/reviews/toolsofthetrade/28.jpg)
This is the first we see of Apokolips, which looks of course to be heavy influenced by Kirby’s visuals, as a planet clearly taking its cues from Hell itself. As said above, Timm is clearly a fan of Kirby and his influence is all over Superman: The Animated Series especially, without attempting to ape it. The Silver Surfer cartoon would later attempt that and fail badly, visually. Influence over adaptation any day of the week, for me. No animator will be able to draw as well as Jack Kirby, and it was foolish for them to even try, in my opinion.
The character model has a presence here. He is naturally huge, as most of the characters in this show were. It breaks the traditional mould found in Superman and he was clearly meant to be a scary looking character. I especially like his stoic posing, as he rarely moves from his chair, with his arms folded behind his back. One fears for his company whenever they are in the presence of Darkseid... visually, Darkseid was a 100% triumph.
Darkseid would return in Father’s Day in which we see that Superman has a massive part to play in his master plan, but Kalibak, attempts to win his Father’s approval by travelling to Earth to kill Superman. After a second and most of the third act Smackdown, Darkseid travels to Earth to retrieve his son and introduces himself to Superman by blasting him with his Omega Laser. One could tell these appearances were simply teasing us to build to something bigger, even for those uneducated as to who exactly Darkseid was. One must remember this was long before Wikipedia or even before most of Kirby’s work was collected in trade paperback form... newer fans of Superman undoubtedly were introduced to Darkseid and the other supporting characters via this television show. I personally has this a bit backwards, I saw most of the Justice League show long before Superman, due to Superman never airing past season one here in the UK.
This show seemed to be building towards something bigger, despite being a fairly standalone villain of the week show from its inception. This carried in with Apokolips...Now! which sees Bruno Mannheim once again return to Earth with Apokolpitic weaponry before Orion travels from New Genesis to warn Superman that Darkseid is coming. Now on Earth, we learn of Darkseid’s backstory and how he physiologically feeds on the despair and misery of others and how he longs for the Anti-Life Equation, following his planet essentially splitting in two, Apokolips, which Darkseid rules, and New Genesis, the peaceful world of The New Gods ruled by Highfather. The two have waged war for decades, with a truce being reached by exchanging their infant sons. The show does not shy away from the planets being metaphors for Heaven and Hell, and the widescreen approach to the flashbacks from Orions’ Motherbox is expertly done. The Motherbox is essentially an all powerful iPhone capable of teleportation, if he they were both alive at present time I think Steve Jobs would owe Mr Kirby a few quid, personally.
The opening of the episode is a fight scene from obviously Kirby inspired space ships and tanks which almost made me wish the show was made 10 years earlier, as we would’ve no doubt got incredibly cool action figures vehicle playsets of these beasts, rather than the pitiful toyline Kenner made for Superman. Given their influence over the shows, it’s frustrating as hell to see what a lazy, cheap effort they made for The New Batman/Superman Adventures and Batman Beyond... these toylines should’ve been so much cooler.
![29.jpg](https://dcanimated.com/WF/superman/reviews/apokpt1/29.jpg)
Apokolips...Now! is arguably the peak of Superman: The Animated Series and has shocking moments in both parts, Superman is beaten and bloodied in each episode, which may seem tame compared to the recent DC Direct to Video features, but back in the day, blood in a superhero cartoon was a strict no no. Even more shocking is the death of Bruno Mannheim in a nuclear explosion, in Part One after Darkseid enlists him to turn the reactor’s core off.
Bruno: You promised you’d make me a King!
Darkseid: And so you are; a King of fools.
It gets more shocking in Part Two as General Steppenwolf and the Parademons attack Metropolis as Darkseid himself returns to Earth and easily beats Superman before showcasing his defeat in front of the people of Metropolis to earn their fear as he feeds upon them.
His plan backfires when Dan Turpins tells him where to shove his offer to be merciful towards Earth should they surrender, which immediately makes his plan to feed of their despair to see their hero beaten and broken moot, before New Genesis’ army turns up and declares that Earth is under their protection, and taking over the planet would be a violation of their agreement. The bully then uses the old excuse of I don’t really care when he’s about to lose, before he delivers one final FU to Superman by murdering Dan Turpin with his Omega Beams.
Murdering. On a Saturday morning cartoon. On screen - no shadow trucks, no camera cut aways, no audience recreations, a straight up disintegration before the viewers eyes.
This just didn’t happen in those days. No one saw that coming! It was a major shocking moment that wasn’t glossed over, as we also see a Funeral for Turpin (the original airing actually had cameos from Marvel characters Kirby created, but they were removed for future airings/DVDs) and, furthermore he wasn’t brought back to life: this death stuck. A Jewish funeral was also shown in homage to Kirby, which was also a no no at the time, many networks decided Religion simply had no place in animation, full stop.
![46.jpg](https://dcanimated.com/WF/superman/reviews/apokpt2/46.jpg)
It adds further prose to it when one learns that Turpin’s character mode is actually based on Jack Kirby himself, who passed away a few years before the show began. Part Two was arguably the most memorable episode the show did, which is an achievement in itself, as this is the episode in which Superman loses and loses badly. This one punched one right in the feels... especially when Darkseid really rubs it in
Darkseid: “Savour your moment of triumph Superman... but remember, victory has its price.”
The music in this episode is also incredibly well done, even to the lofty standards of the DC animated shows. I rarely give the musicians the credit the deserve in these pieces, but Apokolips...Now Part 2 is probably my favourite Superman score.
Now would be a good time to mention the incomparable Michael Ironside who voices Darkseid throughout the DCU. He is magnificent, a true treasure in the sea of exceptional casting that was Andrea Beaumont’s DCU shows. From the opening episode of Batman: The Animated Series right through to the finale of Justice League Unlimited, there wasn’t a miscast voice or half arsed performance to be found. Mrs Beaumont is richly deserving of her universal praise and more. Ironside added a massive gravitas to his performances and helps give Darkseid a presence in each of his appearances... a true, well spoken, bad ass villian, easily one of the very best in the DCU. He is still my favourite Darkseid voice all these years later. Superman himself, Tim Daly also gives one of his performances as The Man of Steel here - from script to storyboard to performance, everyone was on their A game here.
It was clear from the “Not the End!” in the credits before it’s dedication to the late great Jack ‘King’ Kirby that this was... well, not the end, and an inevitable rematch with Darkseid was on the cards.
I didn’t expect to see it in the following story, Little Girl Lost, which introduces Supergirl, a character I admit to not being terribly fond of, however watching the episode on DVD (I’d say I’m showing my age, but the long awaited Blu Ray for this show hasn’t been announced yet, pull your finger out Warner Home Video!) but I did enjoy watching this story again this afternoon, having not seen it in years. I seem to recall thinking it was far too early for another Darkseid appearance when I originally watched it, but I did enjoy his pettiness of if he cannot rule over Earth, he will destroy it, and his plan shows, a meteor crashing into Earth, shows no evidence of interference on his behalf and therefore does not break his agreement with New Genesis. Darkseid is playing chess while the rest of us are playing Checkers here. It also highlighted many of the supporting characters from Apokolips including the Female Furies and Granny Goodness, wonderfully voiced by the forever fantastic Ed Asner. Having Asner essentially portray her as a man in drag is an utterly genius idea, and Asner nails it. It is odd to hear my childhood J Jonah Jameson voicing a woman, but I’ll tell you now, it works terrifically.
![21.jpg](https://dcanimated.com/WF/superman/reviews/littlegirlpt2/21.jpg)
Darkseid would return in the shows finale, Legacy. Timm and Dini would mention on the DVD commentary that the original plan was for Darkseid to manipulate Superman into attach the Earth was the season opener and have Superman work to regain the Earth’s trust over the course of the season but this was scrapped to end the show with instead. It’s another shocking 2 part story which starts with a shocking twist of Superman attacking the Earth, but how/why he is doing so is not explained until Part Two. With Superman now evil, Luthor and General Eiling now have the excuse they were looking for to finally kill him on their terms without looking like the villains they truly are.
As an aside? Clancy Brown is never less than tremendous and his Lex Luthor is no exception to this. He has the perfect blend of intelligence, smugness and anger when required whether playing suave businessman, mad scientist or clear crackpot throughout the DCU. Interestingly he initially auditioned for Superman himself, and cracked a joke about always being cast as a villain when Timm asked him to audition for Luthor. Another solid A+ casting effort here.
Part One essentially shows Darkseid manipulating Superman as he attacks a random planet, and how Granny hypnotised Superman into thinking it was Darkseid who took Kal El in when Krypton exploded and his ship crash landed on Apokolips rather than Earth and Darkseid raised him as his own and shared his vision of a balanced and disciplined universe before finally allowing Kal to ruin his own planet, Earth. The episode also features some clever flashbacks to The Last Son of Krypton.
Part two gets things moving after Superman comes to and travels to Apokolips to essentially finish Darkseid and his Apokolips goons off once and for all. There is a fantastic vindication scene in which an powerless Superman smacks Luthor in the face and breaks his jaw before we get to the final fight with Darkseid. It’s vicious, nasty and worthy of the build up it received, and once again delivers a shocking ending as despite losing the fight, Darkseid, magnificent bastard that he is, wins the war after finally defeating Darkseid and telling the people of Apokolips they are free now, they rush to the aid of their master, as he had clearly wiped out any hope they have of not living under his rule.
![42.jpg](https://dcanimated.com/WF/superman/reviews/legacypt2/42.jpg)
Excellent action aside, it’s also filled with some incredible quotes from Darkseid, the best of which is actually after he is defeated
“I am many things Kal El, but here, I am God.”
Even with the show now ending (thank you Jamie Kellnar), it was clear this feud wasn’t over. Another season of Superman earning the public’s trust again could’ve been extraordinary, but alas it was not to be.
A Darkseid rematch was on the cards, however...
Next: Loser.