It’s noticeable that the film clearly went through executive interference. Terence Nance stepped down because of creative differences with the studio and producers (LeBron for example). The he writers and director the studio hired to rewrite the film and replace midway into filming should’ve sounded the alarm.
In my opinion, despite the film wanting the Looney Tunes to parallel LeBron’s storyline, it misunderstood and depicted the Looney Tunes characters as not only as the most basic but the most sanitized.
Compare it to the first Space Jam where it at least respected the Looney Tunes by making them front and center alongside Michael Jordan and nearly ever major character appeared including a bunch of cameos that make up the crowds at the big Tune Squad game.
Not counting cameos and a deleted scene with Pepé and Penelope, there are only 15 Looney Tunes characters seen in the film. These are the ones that are “marketable”.
The A-tiered: Bugs, Tweety, Lola, Taz, Daffy, Sylvester, Road Runner and Wile E. Coyote.
The B-tiered: Porky, Elmer, Granny, Foghorn Leghorn, Yosemite Sam, Speedy, and Gossamer.
Marvin the Martian’s role got reduced in production, and Penelope Pussycat was cut out too despite the merchandising/promotional material.
Not even most of the characters like Speedy or Foghorn get a lot of screen time.
And by basically tossing aside Pepé Le Pew, Penelope, and other minor characters, is just makes the franchise feel small and limited.
Not to mention the saturation of character dynamics and formulas. There is way too much of Tweety. Barely any of the other characters are mentioned on the social media accounts.
And by making the Looney Tunes seen like a family, is this how Warner Bros. wants the Looney Tunes to be portrayed? A imitation of Disney’s Mickey Mouse and Friends? I feel like I even share the same criticisms Frank Oz had with Disney’s handling of the Muppets as they made them too sweet and not as rebellious.
The Looney Tunes started off as a Disney clone with Bosko, Buddy, and Porky. Along came Tex Avery giving the franchise this rebellious and satirical edge and it was passed on to people like Bob Clampett, Tex Avery, and Chuck Jones.
Of course both Space Jam movies had their occasional share of Looney Tunes comedy and antics. Not as much in New Legacy compared to the first movie (there is an entire scene of Bugs and Daffy’s dynamic playing throughout while retrieving MJ’s basketball gear) as it wanted to be more dramatic/serious.
Bugs acting like he misses the Looney Tunes as family, and the entire death scene with Bugs with everyone acting sad. I just feel this is wrong.
But is this how WB wants to depict the Looney Tunes moving forward? Just a Mickey Mouse/Disney knock off without any self-aware/satirical/slapstick/witty humor?
Well, if it were for a preschool audience. Bugs Bunny Builders at least has that zany/upbeat spirit of the franchise compared to Baby Looney Tunes which imitated other preschool shows and any Muppet Babies-esque show.
And the franchise has appeared to be getting back on track in many TV spin-offs lead under Sam Register with The Looney Tunes Show, Wabbit/New Looney Tunes, and the recently popular Looney Tunes Cartoons.
Just because Space Jam was successful 25 years ago doesn’t mean that’s how the Looney Tunes should be successful.
Most of all, Pete Browngardt’s Looney Tunes shorts is as closely faithful to the classic shorts as possible despite some of the limitations/bans thrown at them.
Maybe I am overthinking this, but as long as there is total creative control and a bunch of exciting ideas, the Looney Tunes franchise will continue to thrive, and hopefully the franchise won’t go even near towards something like Space Jam where the characters are depicted wrong less frequently.
In my opinion, despite the film wanting the Looney Tunes to parallel LeBron’s storyline, it misunderstood and depicted the Looney Tunes characters as not only as the most basic but the most sanitized.
Compare it to the first Space Jam where it at least respected the Looney Tunes by making them front and center alongside Michael Jordan and nearly ever major character appeared including a bunch of cameos that make up the crowds at the big Tune Squad game.
Not counting cameos and a deleted scene with Pepé and Penelope, there are only 15 Looney Tunes characters seen in the film. These are the ones that are “marketable”.
The A-tiered: Bugs, Tweety, Lola, Taz, Daffy, Sylvester, Road Runner and Wile E. Coyote.
The B-tiered: Porky, Elmer, Granny, Foghorn Leghorn, Yosemite Sam, Speedy, and Gossamer.
Marvin the Martian’s role got reduced in production, and Penelope Pussycat was cut out too despite the merchandising/promotional material.
Not even most of the characters like Speedy or Foghorn get a lot of screen time.
And by basically tossing aside Pepé Le Pew, Penelope, and other minor characters, is just makes the franchise feel small and limited.
Not to mention the saturation of character dynamics and formulas. There is way too much of Tweety. Barely any of the other characters are mentioned on the social media accounts.
And by making the Looney Tunes seen like a family, is this how Warner Bros. wants the Looney Tunes to be portrayed? A imitation of Disney’s Mickey Mouse and Friends? I feel like I even share the same criticisms Frank Oz had with Disney’s handling of the Muppets as they made them too sweet and not as rebellious.
The Looney Tunes started off as a Disney clone with Bosko, Buddy, and Porky. Along came Tex Avery giving the franchise this rebellious and satirical edge and it was passed on to people like Bob Clampett, Tex Avery, and Chuck Jones.
Of course both Space Jam movies had their occasional share of Looney Tunes comedy and antics. Not as much in New Legacy compared to the first movie (there is an entire scene of Bugs and Daffy’s dynamic playing throughout while retrieving MJ’s basketball gear) as it wanted to be more dramatic/serious.
Bugs acting like he misses the Looney Tunes as family, and the entire death scene with Bugs with everyone acting sad. I just feel this is wrong.
But is this how WB wants to depict the Looney Tunes moving forward? Just a Mickey Mouse/Disney knock off without any self-aware/satirical/slapstick/witty humor?
Well, if it were for a preschool audience. Bugs Bunny Builders at least has that zany/upbeat spirit of the franchise compared to Baby Looney Tunes which imitated other preschool shows and any Muppet Babies-esque show.
And the franchise has appeared to be getting back on track in many TV spin-offs lead under Sam Register with The Looney Tunes Show, Wabbit/New Looney Tunes, and the recently popular Looney Tunes Cartoons.
Just because Space Jam was successful 25 years ago doesn’t mean that’s how the Looney Tunes should be successful.
Most of all, Pete Browngardt’s Looney Tunes shorts is as closely faithful to the classic shorts as possible despite some of the limitations/bans thrown at them.
Maybe I am overthinking this, but as long as there is total creative control and a bunch of exciting ideas, the Looney Tunes franchise will continue to thrive, and hopefully the franchise won’t go even near towards something like Space Jam where the characters are depicted wrong less frequently.