Zanneck
HAIL NEO ARCADIA. NEO ARCADIA FOREVER.
It's Okay, I always preferred Batman Beyond, in terms of old-school stuff, in that case.Can I get an Amen? If I see one more thread about how "great" Batman: TAS is I think I'm going to retch.
It's Okay, I always preferred Batman Beyond, in terms of old-school stuff, in that case.Can I get an Amen? If I see one more thread about how "great" Batman: TAS is I think I'm going to retch.
Keep a bucket handy. Those threads are not going away. BTAS is dated NOW. Back then it was revolutionary and that's how people will remember it. And I don't blame them at all. I have good memories too.Can I get an Amen? If I see one more thread about how "great" Batman: TAS is I think I'm going to retch.
FACTS & TRUTH Time - if What I made earlier this week was still open, I'd simply say (and I'll say it here, NOW.): NAH - Most cartoons (not all) made in the 10s & today in the still early 20s are much better than most (not all) of whatever the hell I grew up with in the 80s, 90, and 00s COMBINED. Buncha old whiners, I swear. Nostalgia Dorks make me sick. The End.
I'm trying to delete my account, but I'm getting no reply from the support e-mail in this site.Can I get an Amen? If I see one more thread about how "great" Batman: TAS is I think I'm going to retch.
You don't need to delete your account. I don't think administrators allow that anyways. You can just stop posting.I'm trying to delete my account, but I'm getting no reply from the support e-mail in this site.
So, while I don't get any reply about deleting my account, I will talk here.
I really dislike comments like the ones I quoted.
First, the tone is needlessly aggressive.
Second, I really dislike when people state their personal enjoyments of art as absolute truth.
Third, what is wrong with people making sincere threads about how much they love BTAS, or any show really? You are the one who is coming across as a jerk. Is BTAS perfect? No, especially with the amount of episodes they had to make in such a short period of time. The 90s TV environment was better tham previous decades, but still grueling and brutal. Any old TV show will be very uneven in an episode-by-episode basis for this reason. That doesn't mean there isn't still a lot to love and enjoy, and some truly spectacular episodes. But even when BTAS is just being passable or ok, I still enjoy it, such as I've Gog Batman On My Basement. I think there is such a thing as being way overcritical, and this applies to everything really.
Fourth, people who are automatically dismissive of cartoons made today in comparison to past ones are cringe, no doubt (and I love to see the enthusiasm of Frank Thomas and Ollie Johnston, in the last chapter of the book The Illusion Of Life, about the future of animation as a medium, please everyone read that). But I honestly dislike even more the people who are dismissive of the past. If you love anything that happens to be 10 or 15 years old at least, you can bet that there will be people saying "you only love it cause of nostalgia, take off your nostalgia glasses". These comments are common in online discourse, and I despise them more than almost anything (I highly recommend the video "The Nostalgia Goggles Fallacy" on YouTube, it really expresses well a lot of my feelings). My favorite animated TV show ever is Avatar The Last Airbender, and I only watched it as an adult a few years ago (I'm 24 years old). And yet I have encountered people online saying "people love ATLA so much only because of nostalgia".
Fifth, I hate how some people look down upon anything that is goofy, childlike or simple as immature and beneath them. This is pretty common when people are dismissing any beloved kids' show, even the ones with great appeal among all ages. Maturity is not gore or sex. A kids' show can still be dramatically mature and sincere in how it treats its characters, regardless of a supposedly "kiddy" goofy tone. Hey Arnold is for me a million times more mature than your average adult animation sitcom. In many aspects, I think that teenagers and very young adults might be more immature than kids and older adults (above 25 or 30). I also firmly believe that there is nothing wrong tropes or very unoriginal storylines, it's really all about the execution, how you make me care about the characters, and if I can see sincerity and passion.
Random thought: I really want to watch the Pluto anime that has recently come out. I think I will love it!
People with no perception of reality or how to process a lick of anything should not be the ones making those declarations.If you love anything that happens to be 10 or 15 years old at least, you can bet that there will be people saying "you only love it cause of nostalgia, take off your nostalgia glasses"
Keep a bucket handy. Those threads are not going away. BTAS is dated NOW. Back then it was revolutionary and that's how people will remember it. And I don't blame them at all. I have good memories too.
I love to see the enthusiasm of Frank Thomas and Ollie Johnston, in the last chapter of the book The Illusion Of Life, about the future of animation as a medium, please everyone read that
I agree with some of your other points, but especially this. It comes off as weirdly aggressive and hostile to state your opinions as "facts and truths", especially on a frequent basis.Second, I really dislike when people state their personal enjoyments of art as absolute truth.
I think I'll have a better feel for that movie when Beyond hits. If Miles is able to save his father, and prove to be his own type of Spider-Man not beholden to some hoary outmoded trope, good for both movies. If the moral is Miles' dad needs to die in order for him to be a proper Spider-Man, I'm gonna say both films suck. As it was, not knowing which way the cliffhanger was leaning left me very unfulfilled. Part of me understands why the film got raves, and the other part doesn't understand it at all. It's unfinished, is what it is.
I'm more annoyed that there's a part three to all of this at all. This should all have been done in just 2 films and that's it. There is no guarantee movie # 3 in this series is gonna be any good, no matter how good it aims to look & move, in the end, because of stunts like THIS.....I got one, I did not love Across the Spider Verse. I thought it was too long, the pacing was too slow and breaking up the story into two parts was mistake. Spot is built up as the main villain and disappears half way through, usually animated films aimed at a family audience has better pacing and is usually a tight 90 minutes. I get annoyed when films go on longer than they should and it's a shame Across the Spider Verse fell into the overindulgences the live action superhero movies fell into. I thought Into the Spider Verse was a way better film.
Don't get wrong, there are great moments in Across the Spider Verse, but there is a lot of stuff that goes no where. The sum of the parts do not equal the whole.
They could tone down how many times they do the characters glitching, even though it makes sense from a narrative standpoint. Nevertheless, I love how the film developed Gwen, and there is no denying the raw, insane and absurd creativity and beauty on display in the visuals and animation. I love how unapologetic it is in trying to showcase as many awesome visuals as possible, no restraint at all, though I can see why that wouldn't be everyone's cup of tea. It can be overwhelming, sometimes you wish they would linger more on certain shots, to better take in all of the wonderful art they crafted in this movie. Is the film self-indulgent? Yes, and proudly so. I always have a level of respect and admiration for that level of passion and commitment. I'm always pro-artistic expression above all else.
Perhaps the reason why these are two movies rather than one is not because they couldn't fit the story in one movie, but because they wanted two movies to fully realize all of their ideas for wildly different animation and visuals. On those departments, the film has already cemented itself as an animation landmark. It's insanely impressive, it's truly at the vanguard of CGI animation, while also being a natural consequence of how realistic CGI has been perfected and normalized to a level that strong stylization is the way to go and stand out. That unique human touch and identity. In a way, this reflects the development and trends of all artforms really. We find more art in fantasy rather than vulgar realism (the "live-action" Lion King epithomizes the latter).
I disagree that each Lord Of The Rings movie stands on its own. I watched them with my sister-on-law, and perhaps the most common complaint she made is that the movies didn't stand on their own, unlike The Empire Strikes Back.
And I'm tired of the mods of the site not replying any of my e-mail requests to delete my account, God damn.
Your account doesn't need to be deleted; just stop using it. Stop posting and it'll just go away. Also, it might be better to keep your account open in case you one day change your mind and decide you want to post again.And I'm tired of the mods of the site not replying any of my e-mail requests to delete my account, God damn.