TheMisterManGuy
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- Oct 23, 2014
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With the success of Adventure Time and Regular Show, the vast majority of Cartoon Network's in-house productions from that point all cut from a similar aesthetic mold of those two shows, likely because many of the creators, writers, and character designers of these shows got their start on those two titles. If you look at any CN produced show currently running, 90% still have the visual and writing DNA of AT or RS in some fashion. A lot of this I think, is thanks to Rob Sorcher, former Chief Content Officer of Cartoon Network and former president of Cartoon Network Studios.
But a lot has changed within Cartoon Network over the past couple years. The network is now under the jurisdiction of Warner Bros.' Global Kids & Young Adults unit led by Tom Aschiem, leading to Sorcher promoted to a higher position within WB Television. Amy Friedman took over as the new head of programing for CN/HBO Max Kids and Family, and WB Animation President Sam Register, also took over Rob's role at Cartoon Network Studios as well.
With the new creative management, I think CN is in for a big shift in the visual and general design language in its shows, especially with HBO Max's Kids and Family programing now also being under WB Kids & YA management. For example, CN might now be able to do 22-minute format shows more often in the future. The network leaned too heavily on 11-minute shows under Sorcher's later years, and the streaming nature of HBO Max could be more conducive to longer-format shows. Perhaps the new management may want to move away from shows always being made by made by former staff of Adventure Time and Regular Show, and find more outside talent. This could also lead to more visual and thematic variety for CN and HBO Max in the future as well. CN may also start taking in more originals from studios outside WB Animation and CN Studios again as well like they did in the past (Codename: KND for example, was produced by Curious Pictures in New York).
It'd be a big change from what CN had been for the past decade or so, so it'll be interesting to see. I think the upcoming Unicorn: Warriors Eternal will probably be one of the first true tastes of the "New" Cartoon Network in the future.
But a lot has changed within Cartoon Network over the past couple years. The network is now under the jurisdiction of Warner Bros.' Global Kids & Young Adults unit led by Tom Aschiem, leading to Sorcher promoted to a higher position within WB Television. Amy Friedman took over as the new head of programing for CN/HBO Max Kids and Family, and WB Animation President Sam Register, also took over Rob's role at Cartoon Network Studios as well.
With the new creative management, I think CN is in for a big shift in the visual and general design language in its shows, especially with HBO Max's Kids and Family programing now also being under WB Kids & YA management. For example, CN might now be able to do 22-minute format shows more often in the future. The network leaned too heavily on 11-minute shows under Sorcher's later years, and the streaming nature of HBO Max could be more conducive to longer-format shows. Perhaps the new management may want to move away from shows always being made by made by former staff of Adventure Time and Regular Show, and find more outside talent. This could also lead to more visual and thematic variety for CN and HBO Max in the future as well. CN may also start taking in more originals from studios outside WB Animation and CN Studios again as well like they did in the past (Codename: KND for example, was produced by Curious Pictures in New York).
It'd be a big change from what CN had been for the past decade or so, so it'll be interesting to see. I think the upcoming Unicorn: Warriors Eternal will probably be one of the first true tastes of the "New" Cartoon Network in the future.
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